The recording has been mixed so that the vocals are up front, making it much easier to understand what's going on and to comprehend Rice's witty, idiomatic lyrics. And not surprisingly, this 2008 London concert version overseen by Rice tilts the other way. Not surprisingly, this album, featuring Scandinavian singers singing in accented English, tilted more toward the music over Rice's lyrics and story. In 1994, a third recording appeared in Sweden taken from a concert production overseen by Andersson. All during this period, Rice and several directors tinkered with the plot, and the songwriters added and deleted songs. The work was represented first by a 1984 concept album, followed by a successful 1986 London stage production that did not spawn a cast album and an unsuccessful 1988 Broadway stage production that did.

Rice had another set of complicated ideas for Chess, on which he worked with Benny Andersson and Björn Ulvaeus, late of ABBA, setting two interlocking romantic triangles against the backdrop of world chess tournaments during the Cold War.

His early successes with Andrew Lloyd Webber, notably Jesus Christ Superstar and Evita, were content-heavy efforts with often wordy songs and complicated characters, and Lloyd Webber fled to the relative simplicity of practically libretto-free shows about cats and train engines, never again granting a lyricist co-billing with him. It might be argued that lyricist/librettist Tim Rice does not so much collaborate with composers as compete with them.

Chess benny andersson